The compressors feature modes that can be used for warmth or smoothness, transparency or character-changing, and include a handy algorithm to decrease pumping and increase loudness.īut why two compressors and EQs? Well, doubling up means you could, for example, tweak the bottom end of a bassline with the first EQ, run it through compressor 1, and then squash the results again with different settings on the second EQ and compressor. The four-band parametric EQs have five filter types: low cut, low shelving, peaking or bell, high cut and high shelving. The preformatted chains - from simple serial connections through to side-band filtering and signal splitting - cover a broad range of possibilities, and the 40 bundled presets show off the GAC-1's sound-sculpting potential. If you're wondering how it will sound to re-order the effects, one click in the main box is often all you need. Here, you can choose from ten different routings (the order in which the effects are chained) and this is where the GAC-1 can really help to speed up your workflow. The main box can be thought of as the unit's command centre.
0 kommentar(er)
